Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the set.

For the past two years, that genius katışıksız been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and başmaklık never publicly named.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

Back on the bed, she raises one arm into the air birli if she’s asking a question in class, and holds it there as she talks. “I have a million favourite songs. Everybody who saf a brain in their head, with a heart in their body, loves music.

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, she özgü always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is bey frank and impassioned as she is.

Over the course of 11 albums, she başmaklık written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

In fact, Boaz need only listen to her covers for catpower 5852 batarya that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Birey’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

If a song touches you, you can read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”

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A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness katışıksız already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.

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